As Shavasana Gallery’s first show of the season, “Tanya Clark – A World of Art”, ( May 7 – June 4) is not proceeding due to the pandemic, I’ve decided to do a little write up of Tanya’s fabulous art for you so you may, at least, have an idea of what was in store for you -sans canapés – had we been able to put together an Art Opening and month-long show for her.
Tanya has had an extremely interesting and well-travelled life, which is reflected in the diversity of media & styles that she employs in her artistic expression… “Tanya is a formally trained Canadian artist who studied painting and printmaking at Emily Carr College of Art in Vancouver, before moving to Tokyo in 1985 to study the art of woodblock printmaking with world renowned artist Toshi Yoshida.” Tanya immersed herself in the Shin-hanga style of printmaking which gave her an “appreciation for the Japanese aesthetic with its subdued and subtle approach to colour. In 1991, her work was awarded ‘Gold for a New Member’ at the Nihonhangakai, the largest international juried competition for woodblock prints.”…the first non-Japanese woman to do so!
After five years in Japan, she relocated to Phuket, Thailand where she was “seduced once more by a completely different palette. The bold, saturated colours of the Andaman Sea and the visual explosion of tropical flora, both above and below the water, inspired a different direction in her work.” Here Tanya turned her attention to vibrant oil colours and expressive brush strokes on canvas – a departure from the subtle colours of her woodblock training.
In 1994 Tanya moved to the small island of Anguilla in the Caribbean where she “continued to explore the vibrant tropical elements of water, cloud, mountain and reef” She eventually opened “Phoenix Gallery” where she was able to exhibit her wonderful art and provide much-needed framing for island residents. In 2015 she spent time in southern Africa which inspired “a new collection of drawings and paintings featuring the inhabitants of Namibia and Botswana.”
Unfortunately, Tanya had to leave Anguilla in 2017 when Hurricane Irma (the strongest on record) destroyed her business and her gentle Caribbean island existence. The Caribbean’s loss was Mayne Island’s gain as she chose to relocate back to her native British Columbia, and settle on another small island (Mayne) for a time, painting and drawing and providing framing services. She now resides in Victoria, preparing for new artistic inspiration and outlets for her creativity.
Although I’m disappointed that I can’t bring you her lovely work in person, I hope that you can take some time and visit her website to get a better understanding of just how significant and grand her work truly is: https://www.tanyaclarkart.com/
If all progresses as we hope, the Coronavirus will be defeated soon and life can return to normal. Tanya and I have discussed mounting her art show next year when social gatherings are back in vogue – fingers crossed! 🙂
(the Featured Image to this article is called “Veil of Tears” – 20 x 45 Oil on Linen…and is available for purchase)
I thought it was time to do a little “shout out” to friends of Shavasana Gallery & Café and anyone else who follows my website or Facebook link to let you all know what’s happening with our 2020 season, which was scheduled to begin in early April.
Wow…what a difference a few short weeks and months can make in all of our lives. First, I just want to send all of you some good wishes for personal well-being during this unprecedented time. The pandemic has been creeping up on us but now it has arrived and I’m sure that you and your loved ones, like me and mine, are doing their best to follow these new strict rules for self-isolation and social distancing that will – hopefully – keep us all safe.
A few photos from previous art shows we’ve had at the Gallery – from our non-socially distant recent past 🙂
With regards to Shavasana Gallery & Café, I am following Federal & Provincial guidelines as long as they remain in place, and am respecting the requests of full-time residents of Mayne Island that anyone with a second home – like myself – remain in place until this crisis has passed. With all of this being said – I really do not have a clear picture of when I will, safely, be able to re-open. As of this writing (April 4), May is looking more and more unlikely so I’m hoping for a June opening…if conditions allow 🙂
I’m missing Mayne and all the terrific friends I’ve made there over the last 7 years! I look forward to this storm blowing over so we can all return to some semblance of normalcy, and sit together over a cup of coffee, surrounded by beautiful & clever art. Til then…here are a few more photos from happier times. 🙂
Weekly jam sessions, Saturday meditation group and various events and visits…
– I miss you all!
The rewards of running a Gallery Café on a small island are not always financial…as I think about it, in my own case, they’re not financial at all, because I really don’t make a lot of money at this gig. What the Art Gallery Café may lack in remuneration though is more than compensated…well, mitigated perhaps…by a depth & breadth of experience that I have come to cherish…tolerate…endure…and fear.
Mostly it’s been good…fabulous actually…how can you not love it when friends and neighbours drop in with fresh baked scones and home-made preserves just out of a spirit of generosity. It’s a very giving community and I’ve been the happy recipient of so much largesse…food of all sorts: smoked salmon, various teas and coffees, baked goods of all kinds, numerous bouquets of flowers, award winning sunflowers, canned items from homegrown gardens, and perhaps one of my favourites, the friends who showed up with an entire ice-cream maker full of freshly made blackberry ice cream…God that was good, perhaps the best ice cream I’d ever dipped my spoon into.
And the fearful? Well, at the moment the bucket of ice cream scares me as I try and shed 20 pounds after my winter excesses. All kidding aside though…it’s people. When you run a retail operation, as I do, it’s a public space open to all, and you never know who is going to walk through the front door. I’ve been fortunate, I know, as I can safely say that 99%+ of those who have graced my Gallery with their presence have been kind, funny, happy, bright and engaging.
And the <1% ?…mostly a garden variety of quirky individuals whom we all encounter from time to time who trigger our awareness mechanism in a way that speaks of unpredictability. We know that our ability to communicate and understand might be challenged and may try our patience. But these individuals are – ultimately – harmless and wander off on their quixotic journeys. Then there are the in-your-face recovering drug addicts who generate wariness and, of course, the irritating drunks who wander in eliciting anger, wariness and thoughts of self defence…
….and then there’s Colin*. Colin was the “1 in a 1,000” deeply troubled individual who walked in one fine spring morning and stayed for a year and a half. I’m not going to go into detail but suffice it to say that Colin’s depth of personal pain had created a malevolence filled with hair-trigger anger, paranoia and threats of violence which I became privy to on an almost daily basis. His appearance, and my exposure to his toxicity made me seriously consider closing my shop…and then, one day, he was gone!
The experiences I have come to value the most (next to buckets of ice-cream) are those which feel unique and fresh and unlike anything I’ve previously encountered. Situations or events which arouse my sense of the absurd….friends who drop in by horse, performance artists appearing with giant puppets, phone calls to help move a giant pot-bellied pig to a Church Fair, a friend showing up with a truckful of retrievers, a hunter coming in with a bag full of bloody deer hooves for “my art”, and, one of my faves, an elderly friend dropping off her late husbands collection of retro leatherwork magazines which I’ve captured in this short video “Adventures in Leather”
The magazines went to a good home as I decided against a new career in leatherwork. The adventure – now in its sixth year – continues 🙂
*Colin is the name I have given to “He who shall remain nameless”…
It was there, waiting for me, when I got back from Vancouver. Black, lustrous and imposing, it now occupied the space I’d left for it against the far wall between the two cabinets. Possessing a certain presence and grace, it sat there patiently, as if expecting me. My new roommate had arrived – the Blüthner was here.
The movers had obviously found the “secret key” and managed to access my Gallery and wrestle its awkward bulk into place, without my assistance. For this I was grateful as pianos are notoriously difficult to move. Three-men with a truck, a special dolly and straps is still no guarantee of safety – for the piano or the movers. This is why you’ll find many pianos being offered for “free”…if you pick up the moving fees.
In fact, the piano was not mine – a friend had received it, for free, when the local Community Centre on Mayne Island decided to divest themselves of their two pianos. His impulsive agreement to take the piano was short-lived though, when he realized that he didn’t have space for it. Pianos are beautiful instruments and have an intrinsic allure, even if you don’t know how to play them – like myself. When offered a chance to “store it indefinitely” in my Gallery Café, I readily accepted, and now, it was here…what to do?
It looked lovely in its new home, fitting perfectly between the two cabinets, allowing for stylish art displays on the wall in the alcove above, and on top of the piano too. But what of the piano itself? What is a Blüthner? A name I’d never heard, before one showed up in my Gallery. I was curious.
It all starts with a little Wikipedia…
“Julius Blüthner Pianofortefabrik manufactures pianos in Leipzig Germany. Along with Bechstein, Bösendorfer, and Steinway, Blüthner is frequently referred to as one of the “Big Four” piano manufacturers. Established in 1853, Julius Blüthner, a deeply religious man, spoke the defining words that would allow his company to survive and flourish for the next 167 years, “May God Prevail”. The age of any particular Blüthner piano can be determined by matching its serial number to the age table freely available on the Blüthner website”
Blüthner pianos have won international awards consistently since their inception, and have been prized by pianists all over the world, including Rachmaninoff who said, “There are only two things which I took with me on my way to America…my wife and my precious Blüthner”.
“Hmm…impressive pedigree…and I can determine the age of my Blüthner?,” That’s cool I thought…I had to look. Lifting up the lid, and exposing the Hammer Action I saw the Serial number stencilled on the metal frame, “92989” Returning to the computer and the Blüthner website I was able to determine that my Blüthner was built in 1914 – exactly 100 years earlier (I was doing all this sleuthing in March 2014).
100 years. I paused to reflect for a moment on this significant date. I think we naturally accredit a special respect for anything that is celebrating a century of life on this earth. If the Blüthner was not technically alive, it had experienced a lot of life at the hands of its various owners. And, significantly, it was born in Leipzig Germany at the start of World War 1 which began on July 28th of that year. Where did it go? How did it get here?
My curiosity about the Blüthner’s journey was piqued and I wanted to know all I could about her…but all I had was the piano sitting before me – and she wasn’t speaking. I grabbed a flashlight and a screwdriver and started to explore.
Removing the bottom panel just above the piano pedals I peered in with my flashlight and saw the Serial number again, handwritten in pencil along with what appeared to be a signature. My first thought was of a young German piano maker leaving his mark for posterity – a little Saxon graffiti – and immediately wondered what might have happened to him with the advent of War.
Without knowing for certain though, I sent a photo to my German friend Rainer Schroeder (Valhalla Tours ), for translation. Rainer said that although “it’s definitely a word…the font is in Old German “Suetterlin” …but I’m not sure”. Undaunted, I went online and found Katherine Shober of SK Translations who works in this field to see if she could help. (Chasing this one word translation becomes a story in itself: Katherine was too busy but directed me to Geneologist Dr. Ellen Yutzy Glebe. She too was busy but gave me three Facebook Translation Groups – which I joined – and within hours had a viable translation from Georg Patrzek – “Tschempel” which is a family name…God I love the internet)
I was glad that the word I’d discovered was a family name and didn’t mean “right piano leg” in Sütterlinschrift . Knowing that M. Tschempel decided to sign this instrument upon which he (or she) worked creates, for me at least, a whole thread of historic inquiry to ponder or pursue. Was he young, old, married with family? What happened to Tschempel? World War 1? 2?…in a last grasp at trying to understand, and complete this circle, I found one Tschempel reference online – again on Facebook, a Marie Lea Tschempel whom I have messaged…I await her reply.
The next and most obvious clue in the Blüthner’s journey was a small metal plaque attached to the keyboard lid which read: “Bowran & Co. Ltd – Newcastle on Tyne”
I knew that Newcastle on Tyne was in England, so the Blüthner had to have made it’s way safely between two warring countries, but I had no way of knowing when it made that perilous trip. Mr. Google was there to help and gave me a little tidbit from the Newcastle Journal August 4th, 1916…a small classified ad indicating that E. O. Bowran was indeed engaged in piano sales, representing several makes & models of new & used pianos. Bowran survived the war but not the great Depression, and had to be “wound up due to liabilities”, as published in the London Gazette, February 5, 1935
So, somewhere between 1914 and 1935, the Blüthner made it’s way to England, sat in a Piano Shop in Newcastle upon Tyne and was sold either new, used or as part of a bankruptcy liquidation.
Sometime during it’s long life, an aspiring pianist, or perhaps a child who didn’t know better, sat down at the piano with a pen and piece of paper, and forever scarred the keyboard cover while writing out the notes and lyrics to a song:
Their scribbling moved around too much for me to identify the song, or tell what era it’s from. I visualize a young student or budding musician from the 60’s or 70’s copying or creating a piece for personal enjoyment or to entertain family and friends. I find these words add a human element to the Blüthner’s almost indecipherable journey.
The trail goes cold here until August 10, 1986 (or perhaps October 8) when the Blüthner was tuned up by Cliff Brownlee of Penticton, BC.
I’ve attempted to fill in some gaps with the Blüthner’s history but have been unable to do so beyond the plaques, stickers, and graffiti that were left attached to the piano. The 50 year gap between Newcastle & Penticton is long so I decided to take a chance and call Cliff Brownlee in Penticton to see if he could remember anything about the piano – 28 years after his tuning job. It was a long shot.
Much to my surprise, there he was in the directory, no longer listed as a piano tuner and living at a different address but I felt compelled to call him. What possible harm could it do? Again, surprisingly, Cliff picked up the phone after a couple of rings. I could tell by his voice that I was not dealing with a young man. I explained who I was and why I was calling, that I was on a crazy mission to try and understand the life of a piano. How did it get to Pentiction?…and then to Mayne Island?
Cliff was friendly but admitted that – after this length of time – he really had little memory of working on my Blüthner, but – again with the surprises – he would look into his files, and call me back. He did just that. Two days later I received a call from him, unfortunately, he wasn’t able to elaborate much more on my pianos journey. He did recall coming to Mayne to tune David Hodges Grand Piano back when he was still in business, so we speculated that perhaps the Blüthner was here at that time, and not in Penticton, and that Cliff had picked up some additional tuning jobs.
I had one more lead to try – call the Community Centre and see where they got the piano and talk to whomever donated it. A chat with Lauren led to me Lise who gave me the final word on my quest. A couple named Don and Nina Thompson had made the donation to the Community Centre but they were now both in a seniors care facility in Victoria and should really not be disturbed. The thought being that perhaps they would be dismayed to know that their “donation” had changed hands and was now in a Gallery Café.
After all my sleuthing I certainly wanted to call them, or their family members but I honoured the suggestion. If Don and Nina’s intent when they made their donation was for the Blüthner to be cared for and played lovingly, I’m sure this little video that I made: “Eleven Pieces for the Blüthner” would warm their hearts and assuage any concerns they may have…
Hard to believe that summer is behind us already! I’m writing this on the morning of September 27 – just preparing to wind down Shavasana Gallery & Café for the slower Fall & Winter months. We’ve had a very busy open season (which currently extends from May through October) with 4 great Art Shows exhibiting the creative talents of 6 local artists, (Deborah Strong, Famous Empty Sky & Angie Carson, Pam Carr, and Linda Dzus & Nicole Rittemann) and a steady stream of wonderful visitors. I love my job!
But, before we close for the season I wanted to remind islanders that Shavasana also carries a fabulous selection of crafts made by locals and off-islanders alike – incredibly talented artists in their own right who remain largely unheralded throughout the year. Although it may be a little early to start thinking of Christmas, the next two weekends will be your last chance to obtain arts & crafts at the Gallery before we close on October 6th.
We have beautiful jewellery & pendants from jewellers such as Cheryl Funk, Bill Maylone, Nekita Garcia, Hayley Rose Kershaw (Australia) & Laura Meza (Mexico)
Hand-Woven Rugs (Doreen Bennett) and gorgeous quilts (Genise Gill…now reduced from $150 to $95!)
Icons, artifacts, curios & carvings from India, Africa & the Northwest Territories (Innu)
From elegant & zen-like Suiseki rock displays (Bill Maylone) to functional hand-made dryer balls (Pam Carr)
And a great selection of cards (Famous Empty Sky, Deborah Strong, Toby Snelgrove, Stephan Cropper, Linda Dzus & Judie Hancock), photographic prints (Toby Snelgrove, Deborah Strong & Stephen Cropper) and sketches (Leonard Winchester)
We are also having a little Final Weekend closing celebration on Saturday October 5th between 3 and 5. There will be free coffee & yummy cake made by Famous Empty Sky, who will also be in attendance. Artist Angie Carson will also likely be here to participate in the fun – hope to see you there!
I’m just on the ferry heading to Tsawassen and have an hour, or so, to devote some words and attention to our new Art Show at Shavasana Gallery. Famous Empty Sky has returned to Shavasana for her third exhibit in as many years and she is sharing the stage with good friend and fellow artist, Angie Carson, who is back with her second show.
We had a fabulous opening on the evening of Friday September 6…the weather was cooperating, there was a great turnout of friends and art appreciators, Empty Sky had baked two delicious cakes & Angie brought a multitude of fruit & custard tarts. Guests were serenaded by the gentle guitar of Jim Heshedahl, and Rosalie Ripley even stepped in to contribute her beautiful voice to some of the arrangements.
And the Art! Empty Sky is a renowned Collage & MultiMedia artist and she has created a new series of pieces that reflect the title of the show “Images & Icons”. The majority of her new pieces are beautiful collages which include images of spiritual leaders from the various spiritual traditions – Buddha figures prominently; the Virgin of Guadalupe; Ganesh; Goddess of Mercy; Lohan and others. Her collages are vibrant and playful and draw the viewer in for deeper more reflective viewing. One young purchaser was moved to tears by her purchase! (she said that purchasing art has this effect on her as a very personal experience…perhaps it was the Blue Buddha effect!)…when asked how long it took her to produce a piece of art Empty Sky replied, “A lifetime”…so true.
Angie Carson never fails to amaze with her range of ability and talent. She is able to move comfortably between impressionistic landscapes (this piece is just gorgeous)
to expressionism, whimsy, cubist abstracts & collage (here are but a few examples):
Did I mention that she also won a Blue Ribbon at this year’s Fall Fair for growing the tallest Sunflower on Mayne Island? Her talents know no bounds! 🙂
(here is her prize entry being proudly displayed at Shavasana Gallery for public viewing)
I always like to do a walkthrough video of each new art exhibition at Shavasana Gallery when I find a quiet moment. A great way to participate in the beauty of Empty Sky’s and Angie’s art if you are unable to attend in person. The show runs until October 6 and is the last show of our season, so please drop in! – cheers!
We are just preparing for our final art exhibit of the season, Famous Empty Sky is returning to Shavasana Gallery with her friend Angie Carson (nee Liudzius) with a brand new show called, “Images and Icons”. I know that the artists have been busy creating new and exciting pieces for this show which is self-described as “quirky mixed media art”. I’m pleased to be welcoming F.E.S. back for her third exhibit at the Gallery which will also be Angie’s second show here. Although I’ve seen glimpses of Empty Sky’s colourful & thought-provoking new work, the talents of both women will arrive as a delightful surprise when we hang the new show next Thursday September the 5th.
We are having an opening reception on the evening of Friday September 6th between 6 and 8 pm. Please come by for a chance to meet the artists and to hear the Gentle Guitar of Jim Heshedahl. Refreshments and merriment will also be on hand – so don’t miss it! 🙂
It’s Sunday June the 9th – a day after we launched our first show of the 2019 season – and I’m taking a quiet moment to do a little Website (and F’Book) update. The new show is a collaboration between artist Nicole Rittemann and her mother Linda Dzus. These two women bring a variety of talents to the walls of Shavasana Gallery. Their art exhibit includes photos on canvas, acrylic and oil paintings on canvas and canvas panel, art cards and paintings on rocks – an eclectic mix!
Here’s a picture of Linda and Nicole working tirelessly (with me) to hang and arrange the art the day before the show – it was fun working with these two. It’s always at least a 3 or 4 hour job depending on the number of pieces, but I always find it enjoyable to see the new work that will reside on the walls of the Gallery for the next month – Galleries are, by their nature, constantly changing
The Opening Reception ran from noon til 3 on Saturday and was quite well-attended – despite the many things that were occurring on Mayne Island at the same time. The island has a small population of 1,000 people but it’s a busy little place. While our show was humming along with happy guests, the farmers market, the ladies church auxiliary clothing sale, a celebration of life, and a conservancy demonstration were all taking place at the same time. Clever islanders are usually able to strategically plan their days to weave multiple events into their – surprisingly – busy schedules.
Here are Linda and Nicole (and I) shortly before the opening reception, standing in front of the kitchen island laden with snacks and a generous bowl of fruit punch. The fifty to sixty guests ensured that there was very little left to pack up at the end of the 3-hour show.
I always like to do a walkthrough video of the show after the crowds have gone home so I can keep a record of the exhibit and include a wee commentary on individual pieces – here it is below, have a look:
The show runs until July 1st, come on by and have a look at Linda & Nicole’s art if you have a chance – cheers!
Donna Williams & Kriss Boggild have both returned to Shavasana Gallery with an exciting new collection of photographs and paintings for their second show here in the past year, and I’m delighted to – once again – enjoy their creative expression on the walls of my Gallery.
The opening – last Saturday September the 8th, 7 – 9 was well attended and fun. Both artists have an established community of friends and interested admirers of their work so it wasn’t hard to fill the room with art buzz.
(the two images above show Donna’s photographic image enlargement of Leaves on Stone, #XIII on Stonehenge Archival Paper – and Kriss’s Triptych: “Train South” Acrylic Paint & Letraset on Canvas Board)
Shavasana has now been operating as a Gallery since April 2016 and, thus far, seems to be a well-received idea. The rewards are often intangible, yet must include the pleasure of working with talented creative types such as Donna & Kriss & the visual rewards of having exposure to their beautiful art for the four week duration of the show.
(an image of faded Arabic Script from one of Donna’s trips to Greece, #II – on Stonehenge Archival Paper)
If you were unable to attend the opening or have been too busy to drop by the Gallery to see the current show – here is a brief walkthrough video of what you’ll encounter when you come by – the show runs until September 30! 🙂